The business of sports tech, in brief.
Raycom Sports, Pac-12 Enterprises, and Freedom Broadcast Group will power an expanded schedule featuring 100-plus live windows, specialty cameras, and extensive REMI production The CW is preparing for its biggest
The following article "WNBA has most-watched playoffs since inaugural season" originally appeared on Sports Media Watch. Capped by the first Game 7 in its history, the WNBA had its most-watched postseason since its inaugural year. The 2026 WNBA Playoffs averaged 1.49 million viewers across…
More than 100 Pac-12 and Atlantic 10 games will feature Ross XPression graphics, advanced statistical analysis, and studio coverage from Englewood Cliffs USA Sports is preparing for a busy college
Gravity Media recently teamed with event technical design business, Vibanti at the 2026 IMF and World Bank Annual meetings which were held in Bangkok, Thailand, in October. The production brought
It’s not just the video. The in-venue sound and noise also bring the energy to fans watching at home In most sports broadcasts, the crowd is mostly a background fixture.
Verizon, an official NFL partner since 2010, has outlined its network and connected-technology work for the 2026 NFL season, spanning officiating, coach communications and stadium connectivity for fans. Since the
Düsseldorf-based production company Bildquadrat is using Riedel’s Virtual SmartPanel (VSP) to expand its intercom infrastructure for mobile and geographically dispersed teams. VSP lets production personnel join production communications from smartphones,
RTÉ combined Calrec’s Type R system with its SMPTE ST 2110 network to change how it mixed commentary for the 2026 World Football Championship. Where six commentary booths once needed
No longer just mechanical mobility aids for repeat shots, the world of broadcast camera robotics is evolving. “In studio broadcast, the focus of automation is on efficiency, consistency and AR/XR integration. Entire
Following the experimental Playmobil-themed alternative coverage of last weekend’s Der Klassiker, Bundesliga Media’s Dominik Scholler reflects on the production, the technology behind it, the lessons learned and the wider possibilities
For sports without guaranteed mass-market broadcast scale, streaming is not simply a distribution solution. It is a way to turn passionate audiences into an owned and sustainable media business. SquashTV shows what that can look like in practice.
Nine Network secured their audience share across linear television and digital streaming platforms on Tuesday, 3 November 2026, driven by its multi-platform broadcast of the 2026 Melbourne Cup Carnival.
The Grand Slam of Curling (GSOC) has announced a multi-year global media rights agreement with sports streaming platform DAZN to broadcast its 2026–27 season and the upcoming Rock League properties to international audiences.
The company’s chief revenue officer shares its new messaging emphasizing its international, global capabilities Telstra Broadcast Services may call Australia home, but, this year, it has continued to show its
There are many challenges in the sports-video-production industry that keep personnel up at night, and one that’s currently on the minds of individuals in broadcast engineering is next summer’s C-Band
In under two years, a seven-person startup has grown to more than 270 staffers, multiple production studios, 8,500+ hours of annual programming output When FOX Corp. launched a company in
Monumental Sports Network (MNMT), the local media rights holder for the NHL’s Washington Capitals, NBA’s Washington Wizards and WNBA’s Washington Mystics, has announced updates to its Monumental+ (M+) streaming app.
Stephen Arnold Music has developed the original musical theme and sonic branding package for Gray Media and Raycom Sports’ new slate of Atlanta Hawks broadcasts on WANF (Atlanta News First)
Gravity Media has deployed its fully IP-based OB truck, Nova 110, in Belgium for the first time. It made its operational debut supporting a UEFA Europa League match between Union
CONMEBOL has renewed its agreement with GRUP MEDIAPRO, which will continue to run the CONMEBOL Hub’s end-to-end operation through 2030. The Hub handles production, distribution and management of audiovisual content
