The business of sports tech, in brief.
The broadcaster will deploy a pitch-side studio set, 40-plus crew, and NEP Venus mobile unit for the UWCL Final production This weekend, CBS Sports will become the first U.S. broadcaster
The Australian Professional Leagues (APL) and Paramount Australia and New Zealand (ANZ) have finalised a landmark three-year media rights extension, ensuring Paramount+ remains the exclusive streaming home of domestic professional football.
Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite productions all season long As the final national broadcaster to begin coverage of the WNBA season, CBS Sports
Global sports technology leader Catapult Sports Ltd (ASX:CAT) has unveiled a record-breaking financial performance for the year ended 31 March 2026.
Featuring a fully IP infrastructure, Supershooter 11 is intended for large-scale events. Enabling remote and distributed workflows, Supershooter 65 joins the REMI-focused fleet NEP Group has launched two new mobile
Grass Valley has announced a three-year enterprise agreement with Phoenix Broadcast Solutions, a Singapore-based live production company operating across APAC and the Middle East. The agreement covers Grass Valley LDX
Globecast has announced the completion of a nine-month renovation of its Singapore facility, converting it from a traditional linear broadcast operation into a cloud-centric, IP-enabled hub. The upgraded facility will
ATSC, Brazil’s SBTVD Forum, and Korea’s Telecommunications Technology Association (TTA) have signed a Memorandum of Understanding to establish a framework for cooperation on next-generation terrestrial broadcasting standards, including ATSC 3.0.
The Australian Football League (AFL) has announced a multi-year renewal and expansion of its partnership with Tradable Bits, selecting the company’s fan data platform to power digital engagement across both the AFL and AFLW.
This week, the FGC has been relatively mellow compared to the Evo Japan week, but that might be what the community needs before the gargantuan event this weekend: Combo Breaker 2026. However, that doesn’t mean that absolutely nothing happened over the weekend, so I’m here to break it down for you…
Virtual Eye is delivering 15 graphics outputs for global coverage of this week’s PGA Championship, with crews in New Zealand, the U.S., and Scotland operating in shifts to provide continuous
In NEP’s seventh successive Eurovision Song Contest it is operating vision mixing from UHD2 (from the Netherlands) and UHD24 (from Germany). Both are outfitted to be capable of use for
T-Mobile 5G, NEP Group, and Game Creek Video are among the many trusted production partners for the event As the first major event in a sports-filled, three-months in the Greater
Arkona technologies and technology partner manifold will demonstrate their production solutions on the Magna Systems and Engineering stand (Booth 5D1-1) at BroadcastAsia 2026, May 20–22 in Singapore. Arkona will demonstrate
Ikegami will exhibit at BroadcastAsia 2026 (Stand 5D3-1, Singapore Expo, May 20–22), introducing two new viewfinders alongside its existing camera, control, and monitor lineup. The show coincides with the company’s
Rugby Australia has appointed Komo as its official fan and member engagement platform, embedding the Australian-built technology across its entire national ecosystem.
When Dplus KIA’s behind-the-scenes footage of head coach Kim “cvMax” Dae-ho reviewing his team’s 2-0 loss to KT Rolster began circulating, much of the initial reaction focused on discomfort. But while most members of the community are criticizing the head coach’s ways and manners, the attention…
NEP Europe, part of NEP Group, has announced it will deliver broadcast solutions for the Eurovision Song Contest 2026 in Vienna, supporting Austrian national broadcaster ORF in partnership with the
Guntermann and Drunck (G&D), a Panoptec Technologies Group company, and CT Square, led by Chandresh Shah, have announced a joint venture to distribute G&D and VuWall solutions exclusively across India.
On May 1st, 2026, Victor “Punk” Woodley put out a tweet saying that Evo Japan has been a bad experience every single year for him, that it might be his final time going to the tournament due to his experience. Unfortunately, this isn’t an isolated problem, as a bunch of top players from across…
